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PROJECT

Adjust the project setting for movie recording.

IMAGE FORMAT

You can set the format of movies to be shot depending on the lens to be used.

IMAGE FORMAT

Select the format of movies to be shot depending on the lens to be used. Resolution and aspect ratio are set by RESOLUTION.

Option Description
GF Shoot in the optimal format for GF Series lenses.
Premista Shoot in the optimal format for Premista Series lenses.
35mm Shoot in the optimal format for 35-mm format lenses.
ANAMORPHIC
(35mm)		 Shoot in the optimal format for anamorphic lenses. You can configure the lens magnification or whether to use the desqueeze display when recording movies using MAGNIFICATION or DESQUEEZE DISP. IN RECORDING.
Super35 Shoot in the optimal format for Super 35mm format lenses.

MAGNIFICATION

Set the lens magnification when shooting with anamorphic lenses.

Options
2X 1.8X 1.5X 1.33X 1.3X

DESQUEEZE DISP. IN RECORDING

Choose whether to use the desqueeze display when shooting with anamorphic lenses.

Options
ON OFF

When ANAMORPHIC(35mm) is set, an image stabilization operates to match the configured magnification. Do not set ANAMORPHIC(35mm) when using a lens other than an anamorphic lens.

When SDI/HDMI OUTPUT SETTING > SDI/HDMI OUTPUT INFO DISPLAY in MONITOR SETTING is set to OFF, SDI output or HDMI output does not use the desqueeze display, even when desqueeze display is enabled for ANAMORPHIC(35mm).

RESOLUTION

Choose a combination of resolution and aspect ratio for movie recording. The options available vary with the format.

PROJECT FPS

Set a frame rate for the movie file to be recorded.

Options
23.98 24 25 29.97
47.95 48 50 59.94

F-Log/HLG/RAW

Specify the gamma and color gamut for the movie to be recorded and whether to output RAW footage.

MEDIA REC/LCD OUTPUT

Specify the gamma and color gamut for the movie to be recorded to a memory card or SSD and movie to be displayed on the LCD monitor.

Options
FILM SIMULATION F-Log2 F-Log2 C
F-Log HLG  

SDI/HDMI OUTPUT

Specify the gamma and color gamut for the movie to be output from the SDI or HDMI connector.

Options
FILM SIMULATION F-Log2 F-Log2 C
F-Log HLG  

The gamma/color gamut for each setting value is as follows:

  • FILM SIMULATION: Film Simulation/Rec.709
  • F-Log: F-Log/F-Gamut
  • F-Log2: F-Log2/F-Gamut
  • F-Log2 C: F-Log2/F-Gamut C
  • HLG: BT.2100 (HLG)

SDI/HDMI OUTPUT RAW SETTING

Choose whether to output RAW movie from the SDI or HDMI connector for an external recorder.

Options
ATOMOS RAW Blackmagic RAW OFF

FILM SIMULATION

Select the type of film simulation.

Option Description

cPROVIA/
STANDARD

 Ideal for a wide range of subjects.

dVelvia/
VIVID

 Vibrant reproduction, ideal for landscape and nature.

eASTIA/
SOFT

 Softer color and contrast for a more subdued look.

iCLASSIC
CHROME

 Soft color and enhanced shadow contrast for a calm look.

cREALA ACE

 Faithful color reproduction with hard tonality suitable for various scenes.

gPRO Neg. Hi

 Ideal for portrait with slightly enhanced contrast.

hPRO Neg. Std

 Neutral tonality, best for editing images. Ideal for portrait with soft gradations and skin tones.

gCLASSIC Neg.

 Enhanced color with hard tonality to increase image depth.

nNOSTALGIC Neg.

 Amber tinted highlights and rich shadow tone for printed photo look.

XETERNA/
CINEMA

 Soft color and rich shadow tone suitable for film look movie.

NETERNA
BLEACH BYPASS

 Unique color with low saturation and high contrast. Suitable for still and movie.

aACROS

Shoot in Black and White In rich details with sharpness. Available with yellow (Ye), red (R), and green (G) filters, which deepen shades of gray corresponding to hues complementary to the selected color.

  • dACROS+Ye
    FILTER    : Slightly enhances contrast and darkens skies.
  • cACROS+R
    FILTER    : Enhances contrast and darkens skies considerably.
  • bACROS+G
    FILTER    : Produces pleasing skin tones in portrait.

bMONO
CHROME

Shoots in black and white. Available with yellow (Ye), red (R), and green (G) filters, which deepen shades of gray corresponding to hues complementary to the selected color.

  • eMONOCHROME+Ye
    FILTER    : Slightly enhances contrast and darkens skies.
  • dMONOCHROME+R
    FILTER    : Enhances contrast and darkens skies considerably.
  • fMONOCHROME+G
    FILTER    : Produces pleasing skin tones in portrait.

fSEPIA

 Shoots in sepia tone.

Film simulation options can be combined with tone and sharpness settings.

Film simulation settings can also be accessed via shortcuts (aShortcut Options).

For more information, visit:

aFilm Simulation

LUT SETTING

Select the LUT to apply to each type of footage. LUT settings recorded on the memory card can also be loaded into the camera for use.

Options
FILM SIMULATION F-Log2 F-Log2 C
F-Log HLG  

MEDIA REC SETTING

Choose settings for clips to be recorded internally.

REC MEDIA

Choose the recording destination for the clips.

Options
SLOT 1 SLOT 2 SEQENTIAL
BACKUP SSD SDI/HDMI OUTPUT ONLY

FILE FORMAT

Choose the container format for the clips to be recorded.

Options
MOV MXF

MEDIA REC SETTING

Choose the codec for the clips to be recorded.

Options
H.265 422
Long GOP		 H.265 422
ALL-Intra		 ProRes HQ ProRes 422 ProRes LT

ProRes PROXY

Choose whether the camera simultaneously records a duplicate “proxy” video with movies shot in ProRes format.

Options
H.264 ProRes Proxy OFF

BITRATE

Choose the bitrate for the clips to be recorded.

Options
50Mbps 100Mbps 200Mbps 360Mbps 720Mbps

The options available for bit rate vary with the settings chosen for high-speed movie recording and compression. The actual bit rate may be slower than the selected value depending on the subject.

The bit rate for ProRes movies is set automatically according to the format, frame rate, and the type of ProRes. For more information, visit the Apple website.

CLIP SETTING

Set the information applied to the recorded movies.

CAMERA ID

Set the camera name.

REEL NO

Set the starting number for the sequential number to be added to the file name.